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WEIGHT RELATIONSHIPS
Franc Paredes
Curator: Cecilia Garavaglia
An installation that explores the relationships between objects, materials, and forces. Pulleys, weights, counterweights, and everyday elements are articulated to construct situations of tension, balance, and movement.
Weight as matter, but also as a metaphor for that which sustains, conditions, tenses, and transforms our bonds.
A work conceived especially for the space, which proposes that we pause to look at that which sustains our relationships with others and with the world we inhabit.
Franc Paredes

TWO SPINES
Jade Ferrari
From 18 July to 15 August 2026
"Far from constituting a separate language, sculpture maintains a constant dialogue with drawing. Both share a sensibility and a logic of construction. In both media, the artist develops images that seem to arise from the same impulse. Drawing and sculpture thus function as two aspects of a common investigation, two complementary movements that enrich one another.
The large sculpture presented on this occasion makes that relationship particularly clear. Composed of a succession of large links that interlock to form a single structure, the work is sustained through the repetition of the same module. In the patient construction of each of these elements, a gesture akin to that of drawing resonates: the reiteration of the stroke, the insistence on an action that, through repetition, produces variations, rhythms, and nuances. Just as in her drawings the accumulation of marks constructs densities and depths, in this sculpture repetition articulates a larger structure that finds its strength and balance in the relationship between each of its parts."
Cecilia Garavaglia

IN SEARCH OF MEANING
Agustina Nattero
From 23 April to 4 May 2026
"In the passage from one scale to another —from the intimacy of a provincial city to the vastness of the capital— a fissure opens where experience needs to be rewritten. Agustina Nattero’s work is situated at that threshold: between the familiar and the uncertain, between affective memory and the construction of a new everyday life.
Raised in Santo Tomé, Santa Fe, and based in Buenos Aires for the past few years, she undergoes a displacement that is not only geographical, but also perceptual. At first, the city appears as an alien, ungraspable territory that demands tools to be read. In this context, an everyday application such as Google Maps becomes a compass, a guide and, ultimately, a poetic device.
It is in her daily transit —between San Telmo (her workplace) and Villa Devoto (her home)— that her practice emerges: long, repeated, almost ritual walks that become writing. She walks with others; the route becomes a shared experience. With minimal resources but a strong symbolic charge, the displacement is transformed into a performative action: the body traces a route while the word is inscribed as a trace and as an attempt at orientation.
Each walk gives rise to a word. They are not arbitrary: they condense concerns, questions, desires and tensions. There is something of a claim in them, but also of a declaration; a way of inhabiting the city from subjectivity and appropriating its scale through language.
At the origin of this gesture resonates an intimate scene: the childhood she shared with her grandmother in Santo Tomé, where writing and drawing coexisted as nighttime practices. That affective memory reappears today, re-signified: the word no longer merely evokes, it also orients, accompanies and constructs the present."
Cecilia Garavaglia

WHITE NOISE
Ciro Zanela
From 22 January to 29 March 2026
Light in Time
Capturing light in time, the particles that leave their shadows on the negative of an out-of-calibration Yashica, the noise of a city of 20 million bodies vibrating on the walls of a museum, of a library. Capturing the movement of those reflected bodies, those fluid bodies contrasted with the stoicism of the bodies of cement and steel. Anti-seismic material that bears witness to the anonymity of fluid bodies and is aware of the hardness of their intricate geometry; geometry that draws and traps shadows, just as the shutter freezes them in time.
In these refuges from the maelstrom of the city, escaping the noise, the traffic and the smell of food, Ciro stops to portray our way of relating to spaces, our ways of moving through them, ways of inviting ourselves in, their ability to also capture the light and fleetingly imprint it in their form.
Aaron Esquenazi

ANTENNAS IN THE DESERT
Emilia Di Pascuale

UNTITLED EXHIBITION #02: UNTITLED PESO #1
Augsuto Zanela

*Artwork available 24/7*
UNTITLED EXHIBITION #01
Augusto Zanela
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